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Maxim Fedotov -called Russian Paganini - obsessed by virtuosic inspiration at one fling covered large intervals, slightly touching double strings. Long raven-black lock waved like his bow. He looked like Bonaparte on the Bridge of Arcol.

He produced impressive high notes of colourful and not flying uncertainty. His dazzling features were flamingly Gipsy.

The impress of genius was felt on his approach to harmonic liason.

…Fedotov, genuine successor of Joachim, Auer, Kreisler…

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